Wednesday 4 December 2013

MOOKAMBIKA TEMPLE

                 Mookambika temple is an ancient temple located at Kollur in Karnataka. Kollur is about 135 km away from Mangalore. And is easily accessed from Tamilnadu, Kerala and Karnataka by train and road. It is the only temple that is dedicated to goddess Parvathi and believed to be created by Parashurama. This temple is very well known among the people of Tamilnadu and the goddess Parvathi is called in Tamil as Thai Mookambika.



Situated in the valley of Kodachadri peak of Western Ghat,on the banks of the never drying river Sauparnika lies the attractive Mookambika temple with gold plated crest and copper roofs which attracts thousands of devotees.

        The Goddess Mookambika is in the form of Jyotir-Linga incorporating both Shiva and Shakthi. The Panchaloha image (five element mixed metal) of the Goddess on Shree Chakra is stated to have been consecrated by Adi shankaracharya during his visit to this place. There is an exquisite sculpture of Panchamukha Ganesha.

        Kollur is regarded as one of the Seven Muktislala pilgrimage sites in Karnataka which are (kollur), Udupi, Subrahmanya, Kumbasi, Kodeshwara, Sankaranarayana and Gokarna.Kollur is known for its association with Aadi Sankara. Mookambika is said to have appeared before Aadi Sankara here, and he is said to have installed her image at this shrine. There is a room near the sanctum - enshrining the Sankara Simhasanam which is regarded as the very spot where he meditated and had a vision of Mookambika. Mookambika is regarded as a manifestation of Shakti, Saraswathi and Mahalakshmi.

        The Kudashadri hill houses sites such as Ambavanam and Chitramoolam where Adi Sankara isbelieved to have meditated..The temple has been patronised by ancient Hindu Kings and several parts in it are still believed to contain valuable treasures. This was the state temple for the Nagara or Bednore Rajas and many jewels now adorning the idol are said to have been presented by them and by their overlords of Vijayanagar. During the Mahratta raids in this district in the 18th century these freebooters are believed to have carried away gold, silver and gems worth crores of rupees.

GURUVAYOOR TEMPLE

                 Guruvayur (MalayalamഗുരുവായൂർSanskritगुरुवायुपुरम्, Guruvāyupuram), also written as Guruvayoor or Gurupavanapuri, is a municipal town inThrissur District, of Kerala State in India. It houses the famous Guruvayur Sree Krishna Temple, the fourth biggest temple in India in terms of the number of devotees per day.
History
Guruvayur, according to the legends may be 5,000 years old as the Guruvayur temple idol is. There are no historical records to establish it. In the 14th century, Tamil literature 'Kokasandesam', references about a place called Kuruvayur is made. As early as 16th century, many references are seen about Kuruvayur. In ancient Dravidic, Kuruvai means sea, hence the village on the coast may be called Kuruvayur. According to eminent historian Professor K. V. Krishna Iyer, the Brahmins had begun to come and settle at Kodungallur during the period of Chandra Gupta Maurya (321-297 BC).
Guruvayur was a subordinate shrine of Trikkunavay Shiva temple before the latter was destroyed by the Dutch in 1755. Trikkunavay in the Guruvayur documents is the same as Thrikkanamathilakam or Mathilakam mentioned in the Dutch and British records. And this place was in between Guruvayur and Kodungallur. The story of Pandyan King building a shrine here may be a reference to the Azhavars, but they are all silent in their writing about Guruvayur. It was Melpathur Narayana Bhattathiri's Narayaniyam through which the Guruvayur temple got famous all over India.
As of the Indian census of 2001, Guruvayur had a population of 21,187. Males constitute 46% of the population and females 54%. Guruvayur has an average literacy rate of 85%, higher than the national average of 59.5%: male literacy is 86%, and female literacy is 85%. In Guruvayoor, 10% of the population is under 10 years of age.
Government
Guruvayoor Township was formed on January 26, 1962 with four electoral wards with an area of 6.49 km2. Later the wards were increased to 10 and in 1994 to 20 when the township was upgraded to Municipality status with an area of 29.66 km2. In 2010, the electoral wards were increased to 43. Guruvayoor is a Grade-1 Municipality. The Municipality has a total population of 20,216 with a population density of 31, 14 per km2. Guruvayoor assembly constituency is part of Trichur (Lok Sabha constituency).
Festivals
Guruvayur Ekadasi
Ekadasi, the eleventh day of every lunar fortnight, is very auspicious to the Hindus. Of the 24 Ekadasis in a year, the Vrishchika Ekadasi (Sukla paksha) has got special significance in Guruvayur temple. A memorial honour for Gajarajan Kesavan is conducted in Guruvayur. The Karanavar or head of the elephant family places a wreath at the statue of Kesavan in front of Sreevalsam guest house and all the other elephants stand around and pay obeisance. On Ekadasi day, the Udayasthamana Pooja (dawn to dusk pooja) is conducted by the Devaswom itself . After the morning seeveli, on Ekadasi there is a grand elephant procession to the Parthasarathi temple since it is regarded as Geethopadesam Day also. On Ekadasi after night pooja, the famous Ekadasi Vilakku with elephant procession takes place and provides a fitting finale to the festival.

Chembai Sangeetholsavam
Inscription on the Guruvayoor temple
Chembai Sangeetholsavam is an annual Carnatic music festival held in Guruvayur by the Guruvayur Devaswom at Thiruvaiyaru as a kind of homage to Chembai Vaidyanatha Bhagavatar, one of the titans of Carnatic Classical Music. Chembai had conducted the festival in the temple town on his own for about 60 years. He used to invite all the great Carnatic Musicians to perform in the temple town and in course of time, the scale of the festival rivalled the Thiruvaiyaru Thyagaraja Aradhana, which is recognised as one of the most important festivals of homage paid to Saint Thyagaraja.
The Guruvayur Devaswom decided to take charge after his death in 1974, and renamed it as Chembai Sangeetholsavam in his memory. About 2000-2500 musicians participate in this festival every year, and it is held for about 12–15 days culminating on the Guruvayur Ekadasi day, when all the musicians sing 5 favourite songs of Chembai and also the Pancharatna Kritis of Thyagaraja.

MADHURA MEENAKSHI TEMPLE


                   Meenakshi Amman Temple (Other names : Meenakshi Sundareswarar Temple or Tiru-aalavaai  or Meenakshi Amman Kovil) is a historic Hindu temple located in the southern bank of river Vaigai HYPERLINK http://en.wikipedia.org/wiki/Vaigai  HYPERLINK "http://en.wikipedia.org/wiki/Vain the temple city of MaduraiTamil NaduIndia. It is dedicated toParvati who is known as Meenakshi and her consort, Shiva, named here as Sundareswarar.       Temple forms the heart and lifeline of the 2500 year old cityHYPERLINK "http://en.wikipedia.org/wiki/Meenakshi_Amman_Temple"HYPERLINK "http://en.wikipedia.org/wiki/Meenakshi_Amman_Temple  of Madurai. The complex houses 14 gateway towers called gopurams, ranging from 45-50m in height, the tallest being the southern tower, 51.9 metres (170 ft) high,HYPERLINK "http://en.wikipedia.org/wiki/Meenakshi_Amman_Temple"HYPERLINK "http://en.wikipedia.org/wiki/Meenakshi_Amman_Templ and two golden sculptured vimana, the shrine over sanctum of the main deities. The temple is a significant symbol for the Tamil people, and has been mentioned since antiquity in Tamil literature, though the present structure is built during 1623 to 1655 CEHYPERLINK "http://en.wikipedia.org/wiki/Common_ErHYPERLINK "http://en.wikipedia.org/wiki/Common_Era"... The temple attracts 15,000 visitors a day, around 25,000 during Fridays  and gets an annual revenue of sixty million. There is an estimated 33,000 sculptures in the temple and it was in the list of top 30 nominees of the "New Seven Wonders of the World". The annual 10 day Meenakshi Tirukalyanam festival celebrated during April–May attracts 1 million visitors.

Deity of Meenakshi in the temple
Meenakashi  is an avatar of the Hindu goddess Parvati - the consort of Shiva.HYPERLINK "http://en.wikipedia.org/wiki/Meenakshi_Amman_Temple"] She is also one of the Hindu female deities to have a major temple devoted to her. The name "Mīnachchi" means fish eyed and is derived from the words "mīna" meaning fish and "akṣi" meaning eyes. The lady goddess Meenakshi is the principal deity of the temple and not Sundareswarar - this is unlike most Shiva temples in South India where Shiva is the principal deity. According to Hindu legend, in order to answer the prayers of the second Pandya king Malayadwaja Pandya and his wife Kanchanamalai, Parvati appeared out of the holy fire of the Putra Kameshti Yagna (sacrifice for childhood) performed by the king. According to another legend, the goddess herself gave a boon to Kanchanamalai in one of her previous births that she would have the privilege of mothering the goddess. The girl who came out of the holy fire had three breasts. A voice from the heavens told the king not to worry about the abnormality and added that the third breast would vanish as soon as the girl meets her future husband. The happy king named the girl "Tadaatagai" and being the heir to the throne, Tadaatagai was trained carefully in all the 64 sastras, the fields of science. As the time came for Tadaatagai's coronation, she had to wage war on the three worlds across eight directions. After conquering Brahma's Abode, Sathyaloka, Vishnu's Abode, Vaikunta, and Devas' abode Amaravati, she advanced to Shiva's Abode Kailasha. She very easily defeated the bhoota ganas(IAST: Bhūtagana, meaning Shiva's army) and Nandi, the celestial bull of Shiva, and headed to attack and conquer Shiva. The moment she looked at Shiva, she was unable to fight and bowed her head down due to shyness; the third breast vanished immediately. Tadaatagai realized that Shiva was her destined husband. She also realized that she was the incarnation of Parvati. Both Shiva and Tadaatagai returned to Madurai and the king arranged the coronation ceremony of his daughter, followed by her marriage with Shiva.

Vishnu hands over his sister Meenakshi to Shiva
The marriage was supposed to be the biggest event on earth, with the whole earth gathering near Madurai. Vishnu, the brother of Meenakshi, prepared to travel from his holy abode at Vaikuntam to preside over the marriage. Due to a divine play, he was tricked by the Deva, Indra and was delayed on the way. After the marriage, the pair ruled over Madurai for a long time and then assumed divine forms as Sundareswarar and Meenakshi who are presiding deities of the temple. Following the tradition, every evening, before closing the temple, a ritual procession lead by drummers and a brass ensemble carries the image of Sundareswarar to Meenakshi's bedroom to consummate the union, to be taken back the next morning in dawn. The marriage is celebrated annually as Chithirai Thiruvizha in Madurai. During the period of Nayakar rule in Madurai, the ruler Thirumalai Nayakar linked the festival Azhakar Thiruvizha and the Meenakshi wedding ceremony.
History

The Meenakshi temple is believed to be founded by Indra (king of Devas, celestial deities) while he was on a pilgrimage to cure his misdeeds. He felt his burden taken off nearing the swayambu lingam(self formed lingam, a representation of Shiva used for worship in temples) of Madurai. He ascribed this miracle to the lingam and constructed the temple and enshrined the lingam there. Indra worshipped Shiva, who caused golden lotuses to appear in the nearby pool. Tamil literature speaks about the temple for the last couple of millennia. Thirugnanasambandar, the famous Hindu saint of Saiva philosophy, mentioned this temple as early as the 7th century, and described the deity as Aalavai Iraivan. The temple was believed to be sacked by the infamous Muslim invader Malik Kafur in 1310 and all the ancient elements were destroyed. The initiative to rebuild the structure was taken by first Nayak king of Madurai, Viswanatha Nayak (1559–1600) under the supervision of Ariyanatha Mudaliar, the prime minister of the Nayak Dynasty and the founder of thePoligar System. The original design by Vishwanatha Nayak in 1560 was substantially expanded to the current structure during the reign of Thirumalai Nayak(1623–55). He took considerable interest in erecting many complexes inside the temple. His major contributions are the Vasantha Mandapam for celebrating vasanthorsavam (spring festival) and Kilikoondu Mandapam (corridor of parrots). The corridors of the temple tank and Meenakshi Nayakar Mandapam were built by Rani Mangammal.
Architecture
Location of Meenakshi temple in Madurai
The temple is the geographic and ritual center of the ancient city of Madurai and one of the largest temple complexes in Tamil Nadu. The temple complex is divided into a number of concentric quadrangular enclosures contained by high masonry walls. It is one of the few temples in Tamil Nadu to have four entrances facing four directions. Vishwantha Nayaka allegedly redesigned the city of Madurai in accordance with the principles laid down by Shilpa Shastras (Sanskrit: śilpa śāstra, also anglicized as silpa sastra meaning rules of architecture) relevant to urban planning. The city was laid out in the shape of square with a series of concentric streets culminating from the temple. These squares continue to retain their traditional names, Aadi, Chittirai, Avani-moola and Masi streets, corresponding to Tamil month names. Ancient Tamil classics mention that the temple was the center of the city and the streets happened to be radiating out like lotus and its petals. The temple prakarams (outer precincts of a temple) and streets accommodate an elobrate festival calendar in which dramatic processions circumabulate the shrines at varying distances from the centre. The vehicles used in processions are progressively more massive the further they travel from the centre. The complex is in around 45 acres (180,000 m2) and the temple is a massive structure measuring 254 by .
Gopurams
The temple is surrounded by gopurams (gateway tower)HYPERLINK http://en.wikipedia.org/wiki/Meenakshi_Amman_Temple.There are ten gopuram the tallest of which, the famous southern tower, rises to over 170 ft (52 m) and was built in 1559. The oldestgopuram is the eastern one, built by Maravarman Sundara Pandyan during 1216-1238. Each gopuram is a multi-storeyed structure, covered with thousands of stone figures of animals, gods and demons painted in bright hues. The outer gopuram presents steeply pyramidal tower encrusted with plastic figures, while the inner gopuram serves as the entrance to the inner enclosure of Sundareswarar shrine.
Shrines
Sculptures inside the temple
The central shrine of Meenakshi Amman temple and her consort Sundareswarar are surrounded by three enclosures and each of these are protected by four minor towers at the four points of the compass, the outer tower growing larger and reaching higher to the corresponding inner one. The Meenakshi shrine has the emerald-hued black stone image of Meenakshi. The Sundareswarar shrine lies at the centre of the complex, suggesting that the ritual dominance of the goddess developed later. Both the Meenakshi and Sundareswarar shrines have gold plated Vimanam (tower over sanctum). The golden top can be seen from a great distance in the west through the apertures of two successive towers. The area covered by the shrine of Sundareswarar is exactly one fourth of the area of the temple and that of Meenakshi is one fourth that of Sundareswarar.
The tall sculpture of Ganesh carved of single stone located outside the Sundareswarar shrine in the path from Meenashi shrine is called the Mukuruny Vinayakar. A large measure of rice measuring 3 kurini (a measure) is shaped into a big ball of sacrifice and hence the Ganesh is called Mukkurni Vinayagar (three kurinis). This deity is believed to be found during a 17th-century excavation process to dig the Mariamman temple tank.
Temple tank and surrounding portico
The sacred temple tank Porthamarai Kulam ("Pond with the golden lotus"), is 165 ft (50 m) by 120 ft (37 m) in size. According to legend, Shiva promised a stork that no fish or other marine life would grow here and thus no marine animals are found in the lake. In the Tamil legends, the lake is supposed to judge the worth of a new piece of literature. Authors place their works here and the poorly written works are supposed to sink and the scholastic ones are supposed to float, Tirukkural by Tiruvalluvar was one such work.
Only a fraction of 17th and 18th century paintings of Nayak period survives and one such portion is found in the small portico on the western side of the tank. It depicts the marriage of Sundareswarar and Meenkashi attended by Vijayaranga Chokkanatha and Rani Mangammal. The painting is executed on a vivid red background, with delicate black linework and large areas of white, green and ochre. The celestial couple is seated inside an architectural frame with a flowering tree in the background.
Halls
The corridor surrounding the sanctum of Meenakshi is called kilikoondu Mandapam ("bird cage corridor"). The space was once used to keep green parrots that were trained to utter the name of Meenakshi. There are two large cages full of squawking green parrots.
The Kambatadi Mandapam ("Hall of temple tree") with its seated Nandi (sacred bull) has various manifestations of Shiva carved and also contains the famous "Marriage of Meenakshi" sculpture. Sculptures of Shiva and Kali trying to out-dance one another are pelted with balls of ghee by devotees. A golden flagstaff with 32 sections symbolizes the human backbone and is surrounded by various gods, including Durga and Siddar.
The Meenakshi Nayakkar Mandapam ("Hall of 100 pillars") has two rows of pillars carved with images of yali (mythological beast with body of lion and head of an elephant), commonly used as the symbol of Nayak power. It is situated to the north of Sundareswarar flag staff hall.
The Puthu Mandapam ("new hall") constructed by Tirumala Nayak contains large number of sculptures. It is situated opposite to the east gopuram.
The Ashta Shakthi Mandapam ("Hall of eight goddess") is the first hall in the entrance of Meenakshi shrine tower near to East Tower. Ashta indicates eight and Shakthi refers to goddess - the hall has statues of eight goddesses. The gopurams (towers) can be viewed from this hall. The passage was named for eight forms of goddess Sakthi carved on its pillars. Other sculptures and paintings depict the Tiruvilayadal (holy games of Shiva). The sculptures of heroes of Mahabharata, the Pancha pandavas can be seen in the Pancha Pandava Mandapam (Hall of Pandavas).
The Viravasantharaya Mandapam is a large hall with huge corridors. To the south of this hall is the kalyana mandapam, to the south of the pillared hall, is where the marriage of Shiva and Parvati is celebrated every year during the Chithirai Festival in mid-April. The golden images of Meenakshi and Sundareswarar are carried into the 16th centuryoonjal mandapam (swing corridor) and placed on the swing every Friday at 5:30 p.m. The shrine has a 3-storied gopuram guarded by two stern dwarapalakas (guardians) and supported by golden, rectangular columns that bear lotus markings. Along the perimeter of the chamber, granite panels of the divine couple are present. The hall is situated in the western bank of the temple tank.
The Mudali Pillai Mandapam or Iruttu Mandapam (Dark hall) is a wide and long hall built by Muthu Pillai during 1613. On the pillars of the halls, there are fine sculptures depicting the story of Shiva taking the form of Bikshadanar to teach the sages a lesson.
The Mangayarkarasi mandapam is a newly built hall situated opposite to the marriage halls and bears the name of saindy queen, Mangayarkarasi who contributed to Saivism and Tamil language. To the south of Mangayarkarasi mandapam lies the Servaikarar Mandapam, a hall built by Marudu brothers in 1795. The Nagara mandapam (Hall of beating drums) lies opposite to Sundareswarar shrine was built by Achaya Rayar, the minister of Rani Mangammal in 1635. The Kolu Mandapam is a hall for displaying dolls during the Navarathri festival celebrated during September–October. This hall is situated in the second corridor of the Meenakshi shrine at the western side.
Hall of Thousand Pillars
A section of the Thousand Pillar Hall
The "Aayiram Kaal Mandapam" or Thousand Pillar Hall contains 985 (instead of 1000) carved pillars. The hall was built by Ariyanatha Mudaliar in 1569 and it is a structure where the engineering skill and artistic vision are blended. Ariyanatha Mudaliar was the prime minister and general of Viswanatha Nayak, the first Nayaka of Madurai (1559–1600). He was also the founder of Poligar System, the quasi-feudal organization of the country, which was divided into multiple palayams or small provinces and each palayam was ruled by a palayakkarar or a petty chief. At the entrance of the hall the statue of Ariyanatha Mudaliar seated on a horse-back is present, which flanks one side of the entrance to the temple. The statue is periodically garlanded by worshippers. Each pillar in the hall is a carved monument of the Dravidian sculpture. The more prominent among the carved figures are those of Rati (wife of Kama), KarthikeyaGanesha, Shiva as a wandering mendicant and endless number of yalis (mythical figures of lions). There is a Temple Art Museum in the hall where icons, photographs, drawings, and other exhibits of the 1200 years old history of the temple is displayed. Just outside this hall, towards the west, are the Musical Pillars. Each pillar, when struck, produces a different musical note.
Religious significance of the temple
A distinct feature of Meenakshi in terms of iconography is the presence of parrot in her right hand. The parrot is generally associated with the Vaishnavaazhwar saint Andal. HYPERLINK "http://en.wikipedia.org/wiki/Meenakshi_Amman_Temple" "Pancha Sabhai" refers to the five royal courts of Nataraja(dancing form of Shiva) where he performed cosmic dance. The Tamil word velli means silver and ambalam means stage or altar. This massive Nataraja sculpture is enclosed in a huge silver altar and hence called "Velli Ambalam" (silver abode). This is a special figure of Natarja which usually differs from Chola bronzes; in the Chola images, Nataraja is shown dancing with his left leg raised, but this sculpture has the right leg raised. According to the Tiruvilayaadal Puranam (Shiva's sacred games), this is on the request of Rajasekara Pandya, who was a sincere devotee of Shiva. He requested the deity to change his position, as he felt that keeping the same foot raised would put enormous strain and got a graceful acquiescence from the divine master.
Worship
There are close to 50 priests in the temple who perform the pooja (rituals) during festivals and on a daily basis. Like other Shiva temples of Tamil Nadu, the priests belong to Shivaite to the Adishaivas, a Brahmin sub-caste. The priests live in a closed area north of the temple.The temple has a six time pooja calendar everyday, each comprising four rituals namely abhisheka (sacred bath), alangaram (decoration), neivethanam (food offering) and deepa aradanai(waving of lamps) for both Meenakshi and Sundareswarar. Thepuja(worship) ceremonies are held amidst music with nagaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas by priests and prostration by worshippers in front of the temple mast. The common practise is to worship Meenakshi before Sundareswarar. Margazhi (December–January) ritual is prominent one for winning a perfect, god-like husband - it is Meenakshi's ennai kappu festival. Aligned with the cardinal points, the street plans forms a giant mandala (group) whose sacred properties are believed to be activated during the mass clockwise cicumambulations of the central temple..
Festivals
The most important festival associated with the temple is the "Meenakshi Thirukalyanam" (The divine marriage of Meenakshi) that is celebrated in April every year. The marriage of the divine couple is regarded as a classic instance of south Indian female-dominated marriage, an arrangement referred as "Madurai marriage". The male dominated marriage is called "Chidambaram marriage", referring to Shiva's uncontested dominance, ritual and mythic, at the famous Shiva temple of Chidhambaram. The marriage brings together rural and urban people, deities and mortals, Saivas (those who worship Shiva) and Vaishnavas (those who worship Vishnu) in order to celebrate Meenakshi as the royal monarch. During the one month period, there are a number of events including the "Ther Thiruvizhah" (chariot festival) and "Theppa Thiruvizhah" (float festival). Major Hindu festivals like Navrathri and Shivrathri are celebrated in the temple. Like most Shakti temples in Tamil Nadu, the Fridays during the Tamil months of Aadi (July–August) and Thai (January - February) are celebrated in the temple by thousands of devotees. "Avani Moola Utsavam" is a 10-day festival mainly devoted to Sundareswarar describes his various Thiruvilayadal meaning Shiva's sacred games).

SABARIMALA TEMPLE


                Sabarimala is a Hindu pilgrimage center located in the Western Ghat mountain ranges of Pathanamthitta DistrictPerunad grama panchayat in Kerala. It is the largest annual pilgrimage in the world with an estimated 45–50 million devotees visiting every year.[HYPERLINK "http://en.wikipedia.org/wiki/Sabarimala"1HYPERLINK "http://en.wikipedia.org/wiki/Sabarimala"]HYPERLINK "http://en.wikipedia.org/wiki/Sabarimala"[HYPERLINK "http://en.wikipedia.org/wiki/Sabarimala"2HYPERLINK "http://en.wikipedia.org/wiki/Sabarimala"] Sabarimala is believed to be the place where the Hindu GodAyyappan meditated after killing the powerful demoness, Mahishi. Ayyappan's temple is situated here amidst 18 hills. The temple is situated on a hilltop at an altitude of 468 m (1535 ft) above mean sea level, and is surrounded by mountains and dense forests. Temples exist in each of the hills surrounding Sabarimala. While functional and intact temples exist at many places in the surrounding areas like Nilackal, Kalaketi, and Karimala, remnants of old temples survive to this day on remaining hills.


Sabarimala is linked to Hindu pilgrimage, predominantly for men of all ages.You can identify a Sabarimala pilgrim easily as they wear black or blue dress.They do not shave till the completion of pilgrimage and smear Vibhuti or Sandal paste on their forehead.Women between the ages of 10 and 50 are not allowed to enter the temple, since the story attributed to Ayyappa prohibits the entry of the women in the menstrual age group. This is because Ayyappan is a Bramachari (Celibate). The temple is open for worship only during the days of Mandalapooja (approximately November 15 to December 26), Makaravilakku (January 14- "Makara Sankranti") and Vishu (April 14), and the first six days of each Malayalam month.


The pilgrimage
The devotees are expected to follow a vratham (41-day penance) prior to the pilgrimage. This begins with wearing of a special Mala (a garland made of Rudraksha or Tulasi beads). In general from then they are to refrain from non-vegetarian food of any kind (except dairy) alcohol, and tobacco, engaging in sex, using foul language, hair-cuts and shaving. They are expected to bath twice and visit the local temples regularly and only wear plain black or blue coloured traditional clothing. Saffron colored dresses are worn by Sanysis (monks) who have renunciated material life. But, many devotees still continue to wear saffron colored clothes which becomes a part of vedic culture which connects the whole Hindus worldwide.
Hundreds of devotees still follow the traditional mountainous forest path (approximately 52 km) from Erumely, believed to be taken by Ayyappa himself. The part starts from Erumely to Aludha river, then crosses the Aludha mountain to reach Karivilam thodu. Now comes the sacred Karimala crossing, from there to Cheriyanavattom, Valliyanavattom and finally Pamba River. Then they have to climb neelimala and we enter into the ganesh bettam, shreeram betta padam.Aranmula kottaram is one of the halt place of holy journey 'thiruvabharana khosayatra'. But many people use vehicular traffic which can go till the Holy Pamba River by an alternate road. Thereafter, all the pilgrims have to follow a mountainous forest trekking path approximately four kilometers up a steep hill (Neeli Mala) to Sabarimala. This path, now developed, with shops and medical aid by the sides, used to be a mere trail through dense jungle
Administration
The Travancore Devaswom Board (TDB), a government owned body, administers the temple. TDB has insured the Ayyappa's shrine for a value of Rs 30crore ($7 million) and also introduced a free-of-cost accident insurance project for pilgrims visiting the temple. The pilgrims' insurance scheme offered up to Rs 1 lakh to the devotees suffering from injuries or death at a stretch of about 18 km from Nilakkal to uphill Sannidhanam where the temple is located. An estimated 5 crore (50 million) pilgrims visits the temple every year.
Sabarimala is the main income source of the board, with Rs.50 crore accruing to it from there during the previous pilgrimage season (Nov.2010-Jan.2011).The monthly income from the rest of the temples in Kerala was Rs.57 crore.The total income from sabarimala during the 2012 mandala- makaravilakku pilgrimage season stands at Rs 230 crore, an increase of 12 crore from the previous season 
Prasadams
The prasadam at Sabarimala temple is Aravana payasam and Appam. These are prepared by using rice, ghee, sugar etc. The rice needed to prepare prasadam at Sabarimala is supplied byChettikulangara Devi Temple, the second largest temple under Travancore devaswom board situated at Mavelikkara. The Chief Commissioner, Travancore Devaswom Board said that the board has appointed Central Food Technological Research Institute, Mysore as a consultant for providing technical guidance to ensure the quality of Aravana, Appam, and other prasadom preparations at Sabarimala
Harivarasanam
Harivarasanam is recited before closing the temple door every night. Harivarasanam song, which is sung at Sabarimala as a lullaby at night (Urakkupattu) was composed by Sri Kambangudi Kulathur Srinivasa Iyer. It is said that Srinivasa Iyer used to recite the composition, after the Athazha Puja, standing in front of the shrine of Ayyappa in the main temple. With the efforts of SwamiVimochanananda, it came to be accepted as the lullaby by the Thantri and melshanthi. The composition has 352 letters, 108 words in 32 lines (8 stanzas).
Though there have been many versions of this song sung by many renowned vocalists, the temple plays the rendition by K. J. Yesudas, composed by the renowned music director G. Devarajan, which is in the 'Madhyamavathi' raga of Indian Carnatic music. Harivarasanam is written in Sanskrit
Neyyabhishekam
This significant ritual involves pouring sacred ghee brought by pilgrims in their Pallikettu or Irumudi (A two compartment bag made of handwoven cotton cloth used to bear the offerings for Sabarimala Temple by the devotees and carried on their heads)on the idol of Lord Ayyappa. It symbolically means the merging of Jeevatma with the Paramatma.While a Red coloured Irumudi is used by a pilgrim on his first journey(Kanni Ayyappan) to Sabarimala, others use Navy Blue till third year and there on saffron coloured Irumudi.
Makara Vilakku
Lord Sri Rama and his brother Lakshmana met Sabari, a tribal devotee, at Sabarimala. Sabari offered the Lord fruits after tasting them. But the Lord accepted them gladly and whole-heartedly. The Lord then turned and saw a divine person doing tapas. He asked Sabari who it was. Sabari said it was Sasta. Rama walked towards Sasta and the latter stood up and welcomed the Prince of Ayodhya. The anniversary of this incident is celebrated on Makara Vilakku day. It is believed that on Makara Vilakku day, Lord Dharmasasta stops his tapas to bless his devotees.and also it will called makara shankranthi
Aham Brahmasmi and Tattvamasi
The important message given at the temple is the ultimate knowledge that each individual is a God unto himself/herself, Tat Tvam Asi in Sanskrit meaning "That is you". Due to this pilgrims call each other Swami.
Tat Tvam Asi, meaning "That Thou Art" is the message that is given out by theLord. It means, in short, you are part of the Universal Soul (in Sanskrit "Paramatma") which is the quintessence ofAdvaita philosophy. It also means for reaching Paramatma or Universal Soul. this mahavakya suggested by swami chinnmayananda.